Three paintings to include for April (from Feb-March 2022)

Lope, 24×36″, oil

February to March 2022 More portraits

Working on portraits: one a day, painting, then scraping down and beginning again next day. It’s not that I was dissatisfied with the 25-30 portraits I did, I considered them all to be practice. As a musician in college I spent hours in rehearsals and practice. We didn’t “keep” those practice sessions – but they built our final performances, session by session. These are photos of some of those daily portraits.

Four more from this same time . . .

Also “finished” (never finished) an eight-week Diebenkorn-inspired figure painting class. 4’x6′ oil.

September 2021

Kubota Garden scenes. I’m borrowing a french easel to paint outside. A new challenge.

Another challenge: working on an enormous canvas (4×6′). Not done yet — here’s a preview, a detail:

July/August 2021

A mix. As usual with me.

Lou, oil on canvas, 20×30

collage, oil on paper, 17×22
Helvetia, OR, oil on canvas, 34×28″

June 2021. I finished up two classes on zoom and have worked on one big oil painting (48″x30″

here are some studies for the painting, trying out colors and spacing in the composition (based on photo from 1960’s – a party at my in-laws’ home)

After you do all the corny things, and all the ignorant things – then a little bit of brilliance starts happening.

David Hammons

Here are some paintings from April and May – I’m not done with corny or ignorant things . . .

March – four paintings based on a bouquet and a guy based on drawing . . . and trying out collage

January – February: the charcoal drawings inspire the paintings . . .

Color studies: low intensity/saturation and high saturation. Pleasing combinations, challenging combinations. Still practicing, still learning.

Two January paintings influenced by all this color work:

New for December and January 2021:

The latest paintings from November and December:

the blackberry series, made with blackberry ink:

the latest things:

The dandelion series: